By Fabrice Midal
ISBN-10: 0834821621
ISBN-13: 9780834821620
ISBN-10: 1590302079
ISBN-13: 9781590302071
In wide-ranging essays and interviews, participants from the fields of Buddhist perform and scholarship, philosophy, the humanities, and literature research the paintings of a contemporary genius—the Tibetan Buddhist meditation grasp Chögyam Trungpa Rinpoche (19391987). A pioneer in introducing Buddhism to the West, Trungpa Rinpoche had a unique knack for breaking down the cultural, ancient, and ideological limitations that make such a transmission so tricky this day. His ability at speaking in a dwelling language to Western scholars, whereas final devoted to the conventional origins of Buddhism, used to be paired with an knowing of the trendy global of surprising relevance. accordingly, his actions in a variety of areas—including psychology, schooling, theater, poetry, visible arts, translation, publishing, interreligious discussion, the production of a direction of religious warriorship, and the founding of the 1st Buddhist college in North America—offer penetrating insights into the which means of Buddhism for our international and our tradition. This anthology is a sworn statement to the ongoing impression of his designated characteristics and paintings as a revitalizing strength in spheres either non secular and secular.
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Extra resources for Recalling Chogyam Trungpa
Example text
He said, “Whatever practice you could name, I did. And finally, after all of those austerities and all of those practices, I discovered that self-torture wasn’t the point. The point wasn’t to torture the body, nor was it to indulge it. ” It’s a very powerful sutra. You get a tremendous sense of the strength of the Buddha just in reading it. Trungpa Rinpoche also spoke of the teachings as the Lion’s Roar. He said: The Lion’s Roar is the fearless proclamation that any state of mind, any circumstance, any part of ourselves, including the most difficult emotions, is a workable situation, a reminder in the practice of meditation.
At first, the reindeer can’t quite figure out what these little things on his head are for. Yet, as they grow harder and more magnificent, the reindeer discovers that he should have horns. In the same way, the warrior opens his or her heart and begins to realize that, in fact, one’s heart should be able to touch all things in the world. In another place in that book, he talks about how opening the heart leaves it exposed, like a piece of raw meat. You become so sensitive that you are touched by even a mosquito landing on the heart.
These artists are the great witnesses of our time, and Chögyam Trungpa walked in their footsteps. He presents us with the utterly individual face of a spiritual master who became an artist and thinker or, better, a human being in dialogue with art and thought. Living Language Chögyam Trungpa’s immense work ranges over the most varied fields. His teachings have led to the publication of a large number of books—nearly a hundred in English—and a great many transcripts remain to be edited and published.
Recalling Chogyam Trungpa by Fabrice Midal
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