By Charles Noble
In his newest paintings, Charles Noble extra reins within the already tight haiku in basic terms to let out, a 'logopoeic' poetry. Poems of 'splendid rigour' or riddles of wit which are solved through 'lifetime' insights - a dialectical poetry that also observes a phenomenological toehold yet transcends the bounds of locality in recognising the curled-up-but-everywhere global of media & markets - a l. a. Frederic Jameson. And but, those 'haikus' pass immediately - to 'the surprise of the naive'. They flip to a center flooring, in Aristotle's feel of inauspicious goal. They aspect to human acts, human reactions, & enact, themselves, a meta-linguistic wrestling, at one with the quarrelling couple within the bar striking on each one other's phrases & insistent with 'what do you suggest through [a uncomplicated word]?' yet also they are implicated in what he calls the demise force (not demise wish), which arcs freely over a human lifestyles span - imagine structure - & which, extra considerably, within the 'pleated/ crossword', 'make[s]/ reliable/ a/ bit/ of/ undesirable/ infinity' (p. 57), no expenditures, aside from that toehold, earth, as he may have it.
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Extra resources for Death Drive Through Gaia Paris (Open Spaces)
I’m joking I weed harakiri hoes L e i bn i t z N u t s quantumlike traﬃc is Leibnitz nuts drivers each taking all the paths the monster and his dog me and mine ergo I’m a monster or not 22 he cried falsely in the context reason stumbles onto everything that you don’t want to live ﬁve hundred years leaks your weakness as we speak most fun requires work but we like work if the cruelty subjects us 23 I think to you I’m me but to me I’m free of me if I follow as long as you’re alive you belie your image dead you believe it overboard musings think haiku boat deck hands play cards o minus touch 24 we discard what Descartes depicts withdraw dotty pictures to his point?
Rightful positions are taken held need to go to the cogito “logos is what makes things deﬁnite” boat of ice in love with water 25 the new argument enlists old otherside thoughts making truth kinky the concept curls around the disappearing particle plays for shape the youdon’tknoweverything sting swells you up to know it insideout 26 thumbs down on ﬂicks yeah but Plato’s idiot I love the cave’s remove you cast castles in the air just where they can be seen through science so far oﬀ so we’ll have a good a good problematic time the ﬁrst stone 27 elegance is a good driver it never pulls oﬀ its own defeat the beefy coil creates a spark ideal recognition with a beef relatives will derive you out of your tree they all look the same “abstract universal” splitting the absolute but blue likes them like me 28 little modern monads with no god but true to form none the wiser young cool handsome everything they have everything their selfdoubt seals it “make it new” but new’s its own no mind got by mind with mind of its own 29 scientists say Mars will change us if us is still there no if not NO we meet on the street with our lines on things glanced remote ﬂy in time ‘s square 30 resort to force power ﬂies oﬀ (Arendt) the new requires force (Arendt) bios has no bias till the nervous crown bites its toothpick repast 31 Rom e Ta k e s A l l Roa d s she drops she plies all comers wears awareweary drop of shame unpleasant person you meet say what you have to protest pleasantries war wares he is drunk smarting so digs at you not smart you smart learn him back hoe 34 I cut oﬀ the roots of his badness nurture my face value anger to call her by name is a dart in the dark she curls up round the prick 35 low cut dress the breasts are lookmanohands he can’t milk for all their worth how you can drown in ideal allure be saved by the fucking anchor wordstrapped: you love her like mutton stew but don’t say to stew kick ass woman shape mere genetic ﬁlm amor fati says “choice cuts” lambypie¹ 36 same birth days womanizing bends thereby strangely intimate human outside all number of backward hearts but can’t stop its alien line he called his girl not crème de crème but crème de menthe but should have meant menth 37 she ﬂirted her hip against his leg will she?
He withdraws to doodle spirals into heat he’d never feel his own doing it vital signs didn’t dare phone her but did then beyond premeditation skilled her 38 talking to oneself as overheard bespeaks having been loved to bits those shoulders don’t ﬁt those hips those things wow these funny Rome takes all roads 39 playmates on reality TV just girls no power but stripped of it object of your desire falls apart then on the ear a hank of hair “she’s letting you know it will just be platonic” what goes up comes down 40 she had a cap pulled down cockeyed fellas fell over themselves to see I saw her beauty so tell on her like rotten I were selling fruit a lovely woman I said it takes notone to know one she rejoined 41 couldn’t put your ﬁnger on it love when you could you lost your ﬁnger take simple breasts they move you and bearers back removed to prime the pump I like himself deﬂated her whats to her a rock squeezed into shape what’s what she’s wise to her not knowing 42 to which she sticks all puﬀed good points public couples you their ceiling and on the wall twoway Spanish ﬂy turns on the radio when it’s already on story of his wife 43 we are intimate intimating the signs the gossiped have died for not knowing he was with her I opened up on her killed his ﬁshing cruelty kind of when you bring up a friend’s failed tryst but up case not love ﬂipped into hate but love not dared dammed at dawn hanging to the kind back light 44 you’re jealous right oﬀ cuz she knows you in the world not as its mouth piece you’re jealous in good time cuz all you make new her ﬁeld ﬁnds a place for 45 heft your road around bulldozer detractor terrains arouse your seed her her and her you love in an instant many worlds theory like a dog barking in the street he didn’t know which fast femme to chase one god 46 receptors ape women’s hips brain synchs so so do your hopes swing higher?
Death Drive Through Gaia Paris (Open Spaces) by Charles Noble