New PDF release: Comics, the Holocaust and Hiroshima

By Jane L. Chapman, Adam Sherif, Dan Ellin

ISBN-10: 1137407255

ISBN-13: 9781137407252

ISBN-10: 1349680931

ISBN-13: 9781349680931

Comics, the Holocaust and Hiroshima breaks new floor for historical past via exploring the connection among comics as a cultural list, historiography, reminiscence and trauma reports. Comics have a twin position as resources: for gauging understanding of the Holocaust and during shut research, as stories and narratives of adolescence feelings and stories.

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Extra info for Comics, the Holocaust and Hiroshima

Sample text

Military Comics #12, Quality Comics Group, October 1942. Smash Comics #39, Quality Comics Group, January 1943 Smash Comics #37, Quality Comics Group, November 1942. For an excellent synthesis of the questions of Austrian victimhood and national memory, see Uhl (2011). At this point, it should be suggested that although beyond the scope of this investigation, an examination of these looser and more metaphorical records and references in conjunction with government instructions or mandates to publishers could be a worthwhile avenue for further study.

Police Comics #30, Quality Comics Group, May 1944. Police Comics #26, Quality Comics Group, January 1944. 0004 3 Childhood Memories of the Holocaust and Vichy Abstract: This chapter proposes that comic books such as Paroles d’étoiles can enhance our understanding about producing and transmitting knowledge concerning the Holocaust under Vichy. Survivor testimonials and memories of hidden Jewish children are presented within the context of memory studies, connecting this with new cultural history and the widening of sources, discussed here in relation to the problems of representing trauma and memory in Holocaust Studies.

Our only access to the past is through the imaginative narrative and the intellectual operations registered in the tropes, the theory of which provides us with a radical and promising basis for categorising the historical imagination in any given episteme. (Munslow, 2006:188) What if a ‘trope’ such as the comics format is combined with testimony? Ricoeur recognises the role of testimony in history: History can expand, complete, correct, even refute the testimony of memory regarding the past; it cannot abolish it.

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Comics, the Holocaust and Hiroshima by Jane L. Chapman, Adam Sherif, Dan Ellin

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