By Pablo Ellicott Yglesias (auth.)
Read or Download ¡Cocinando!: Fifty Years of Latin Album Cover Art PDF
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Extra resources for ¡Cocinando!: Fifty Years of Latin Album Cover Art
Cuban saxophonist Paquito D’Rivera’s take on 1976 Collage cover is a trippy, tour-de-force portrait by the seminal descarga jam sessions of Israel “Cachao” artist Jamie Putnam, bringing to mind both pop art and Lopez in the 1950s is skillfully represented by gold foil the world of high fashion. and cigar-band shapes—a harbinger of the nostalgic While many Latin jazz covers of the 1980s and look that would take over the industry with the coming 1990s featured uninspired photos of live performances of the Buena Vista Social Club.
I made my fellow fifty-thousand copies, an unprecedented number for roommates at Yale listen to it in 1951. We mar- Latin jazz at the time. The deluxe cover shot romanti- veled at ever ything, even the cover. cizes that Palladium encounter, conjuring the enticing —Rober t Farris Thompson demimonde of an exotic beatnik bar complete with entwined couple, red wine, and an invitingly seductive Jazz and dance music par ted ways after World War II, mambo dancer. The florid Mambo with Cal Tjader’s but it was at the nexus of the two genres that Cubop, Quintet riffs on stereotypes of strutting Hispanic mas- that frenetic child of mambo, was formed.
The ideas of authenticity and agency. While the music album’s expressionistic cover painting, with its burning industry’s prayers may have been answered in the red background, seems to declare the power of the 1950s by Latin music’s Elvis figures, Desi Arnaz and music, while Mendez’s wide-open mouth proclaims his Tito Rodriguez (white men who could “sing black”), arrival on the scene and heralds his exposure of the pre- Suaritos Records no doubt employed this pseudo-min- viously sacrosanct and occult world of Afro-Atlantic music.
¡Cocinando!: Fifty Years of Latin Album Cover Art by Pablo Ellicott Yglesias (auth.)