By Gary Needham
For the reason that its free up in 2005, Brokeback Mountain grew to become a big cultural occasion and a milestone in self sufficient American filmmaking. in line with the fast tale by way of Annie Proulx and directed by way of Ang Lee, Brokeback Mountain situated a love tale among closeted cowboys on the middle of yank mythology, movie spectatorship and style. Brokeback Mountain provided an self sufficient and queer revision of the conventions and clichés of the western and the melodrama via a studied exploration of homophobia and the closet. This publication examines Brokeback Mountain on the subject of indie cinema, style, spectatorship, enhancing, and homosexuality. In doing so it brings movie reports and queer idea into discussion with each other and explains the significance of Brokeback Mountain as either a latest autonomous and queer movie.
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28 Sedgwick argues that the opposition between homosexual and heterosexual definitions, categories and identities also informs and organises the way we make sense of, and produce knowledge about a range of other binary oppositions such as public/private, secrecy/disclosure and masculine/feminine. For Sedgwick the entire epistemological framework of Western thought and being, especially when it pertains to knowledge about identities and desires, hinges upon a central distinction between heterosexual and homosexual difference.
23 Therefore, Cawelti’s emphasis on how the Western looks, the grandeur of its spectacular landscapes, the details in the mise en scène, and the ways in which the characters behave and act (particularly the cowboy’s verbal reluctance), all of these, he argues, vie to organise the meaning of the genre as a mythic-ideological form. 24 Both Horizons West and The Six-Gun Mystique and Will Wright’s Sixguns and Society25 imprint the study of the Western with a rich array of ideas and interpretive frameworks linking the textual and the ideological.
24 This necessarily suggests that studio and media conglomerate power is shaping indie cinema through their high level decisions regarding fund allocations and explains why increasingly higher budget ceilings are introduced for indie films. In this respect, it is clear that the decision about what an average indie film costs is determined higher up the chain than the classics division itself, which makes the financing, production and distribution of ‘truly’ independent films problematic. 2. Cut-price Rates for Talent Focus Features also benefits from its status as independent in that it does not necessarily offer stars studio rates and similar financial arrangements.
Brokeback Mountain by Gary Needham