Download PDF by Richard Cándida Smith: Art and the Performance of Memory: Sounds and Gestures of

By Richard Cándida Smith

ISBN-10: 0415277965

ISBN-13: 9780415277969

This ebook investigates the function that the visible and appearing arts play in our adventure and realizing of the earlier. increasing upon longstanding matters in cultural heritage concerning the relation of textual content and picture, the ebook highlights the excellence among enactive and cognitive reminiscence and the consequences of this for artists and their publics.

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Additional info for Art and the Performance of Memory: Sounds and Gestures of Recollection

Sample text

Therefore, I am only able to provide the literal translation of these lines for those readers who feel confused and uncomfortable in the realm of the other tongue: . . hallucinated by this Macondian world . . drunk with Calí’s tropical fiestas . . intoxicated by the theater ideas of Enrique Buenaventura and the method of Collective Creation . . terrorized . . vomiting the residue of fears (frights, despairs) of unending “blood weddings” in Colombia . . tied for ever with bonds of love and nostalgia for this country.

25 W. LINDS, A. MEDELLÍN, AND K. PURRU Colombian historian Ricardo Peñaranda La Violencia is the term that Colombians have adopted to describe the complex political and social phenomenon – a mixture of official terror, partisan confrontation, political banditry, pillage and peasant uprising – that the country endured for nearly twenty years between the 1940s and the 1960s. In trying to identify the consequences or the possible evolution of the phenomenon, it has become obvious that the Violence has projected itself into the present.

LINDS, A. MEDELLÍN, AND K. PURRU Colombian historian Ricardo Peñaranda La Violencia is the term that Colombians have adopted to describe the complex political and social phenomenon – a mixture of official terror, partisan confrontation, political banditry, pillage and peasant uprising – that the country endured for nearly twenty years between the 1940s and the 1960s. In trying to identify the consequences or the possible evolution of the phenomenon, it has become obvious that the Violence has projected itself into the present.

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Art and the Performance of Memory: Sounds and Gestures of Recollection by Richard Cándida Smith


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