Lucia Ricciardelli's American Documentary Filmmaking in the Digital Age: PDF

By Lucia Ricciardelli

ISBN-10: 0415840120

ISBN-13: 9780415840125

American Documentary Filmmaking within the electronic Age examines the new demanding situations to the conventions of realist documentary throughout the lens of battle documentary motion pictures through Ken Burns, Michael Moore, and Errol Morris. throughout the 20th century, the discovery of latest applied sciences of audiovisual illustration akin to cinema, tv, video, and electronic media have reworked the modes of historic narration and with it compelled historians to evaluate the influence of latest visible applied sciences at the development of background. This publication investigates the style during which this modern Western "crisis" in old narrative is produced via a bigger epistemological shift in visible tradition. Ricciardelli makes use of the subject matter of conflict as depicted in those administrators’ movies to concentration her learn and think about the model(s) of nationwide id that Burns, Morris, and Moore form via their depictions people army activities. She examines how postcolonial opinions of historicism and the appearance of digitization have affected the narrative constitution of documentary movie and the shaping of ancient recognition via cinematic illustration.

Show description

Read or Download American Documentary Filmmaking in the Digital Age: Depictions of War in Burns, Moore, and Morris PDF

Similar television books

Desperate Networks - download pdf or read online

Within the government workplaces of the 4 significant networks, sweeping alterations are occurring and billions of bucks are at stake. Now invoice Carter, bestselling writer of The past due Shift, is going behind the curtain to bare the interior workings of the tv undefined, taking pictures the genuine pictures of the larger-than-life moguls and stars who make it the sort of cutthroat enterprise.

Jon Abbott's Irwin Allen Television Productions, 1964-1970: A Critical PDF

Sooner than developing himself because the "master of disaster" with the Nineteen Seventies motion pictures The Poseidon experience and The Towering Inferno, Irwin Allen created 4 of television's most fun and enduring science-fiction sequence: Voyage to the ground of the ocean, misplaced in area, The Time Tunnel and Land of the Giants.

Download e-book for kindle: British TV Comedies: Cultural Concepts, Contexts and by Juergen Kamm, Birgit Neumann

This assortment bargains an outline of British television comedies, starting from the beginnings of sitcoms within the Nineteen Fifties to the present growth of 'Britcoms'. It offers in-depth analyses of significant comedies, systematically addressing their prevalent houses, filmic heritage, humour politics and cultural impression.

Bruce Drushel's Fan Phenomena: Star Trek PDF

From a decidedly inauspicious commence as a low-rated tv sequence within the Nineteen Sixties that was once cancelled after 3 seasons, superstar Trek has grown to a multi-billion buck of spin-off sequence, function movies, and item. Fueling the ever-expanding franchise are essentially the most rabid and constant lovers within the universe, recognized affectionately as Trekkies.

Additional resources for American Documentary Filmmaking in the Digital Age: Depictions of War in Burns, Moore, and Morris

Example text

Nichols, Introduction to Documentary, 128. , New Latin American Cinema, Vol. 1 (Detroit: Wayne State University Press, 1997), 33. Edgar Morin quoted in Peter Lee-Wright, The Documentary Handbook (New York: Routledge, 2010), 93. Dziga Vertov used the term Kino-Pravda to refer to the twenty-three newsreels he directed between 1922 and 1925. Quoted in Enrico Fulchignoni, “Conversation between Jean Rouch and Professor Enrico Fulchignoni,” Visual Antrhopology, 2 (1989): 265–300. Nichols, Introduction to Documentary, 118.

Concomitantly with Grierson’s first reflections on Flaherty’s work, modernist avant-garde artists began to experiment with poetic, reflexive, and performative approaches to documentary,39 endorsing personal knowledge as a way to understand more general societal practices. Unlike the expository and the observational modes, which rely on the objectivity of the camera to uncover general truths, the poetic, performative, and reflexive modes have allowed more room for creative expression. Deeply personal, these modes convey the documentarian’s subjective impressions either through “a series of fragments [.

1 (Autumn 1968), 12. , 1959), 105. As Catherine Belsey claims, “Liberal humanism, laying claim to be both natural and universal, was produced in the interests of the bourgeois class which came to power in the second half of the seventeenth century. [. ] The common feature of liberal humanism, justifying the use of the single phrase, is a commitment to man, whose essence is freedom. ” Catherine Belsey, The Subject of Tragedy: Identity and Difference in Renaissance Drama (London, New York: Methuen, 1985), 7–8.

Download PDF sample

American Documentary Filmmaking in the Digital Age: Depictions of War in Burns, Moore, and Morris by Lucia Ricciardelli

by Ronald

Rated 4.19 of 5 – based on 9 votes