By F. B. Pinion
Aiming to supply a complete survey of the paintings, poetry and prose of the poet T.S.Eliot (1888-1965), this article can be of distinctive worth to academics of all educational degrees and to school and school scholars at domestic and in a foreign country.
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Additional resources for A T. S. Eliot Companion: Life and Works
Conformists continued to express disapproval or bewilderment, but Pound found notable allies in Conrad Aiken , who declared that Eliot's psychology was keener and subtler than that of the professionals, and in May Sinclair, who thought ' Prufrock' and 'Portrait of a Lady' on a par with Browning's dramatic poetry, 'Preludes' and 'Rhapsody on a Windy Night' superior to Henley's London 20 A T. S. Eliot Companion Voluntaries, and 'La Figlia che Piange' a masterpiece in its own right. Eliot found himself much in agreement with the views of T.
Vivienne had helped whenever she could, but now, as Russell had predicted ten years earlier, their marriage was breaking down. Protracted illness , drugs, and haunting fears had reduced her to a helpless state of semi-paralysis from which she could rarely rouse herself; such was her condition that she continually needed someone to take care of her. Separation would ease the strain for both of them, Eliot sometimes thought, and he turned to religion for comfort. In the early years of his marriage, he had visited churches in the City during his lunch hours , sometimes to admire their beauty (notably that of St Magnus the Martyr by Chrisopher Wren), more and more often for the sake of peace, contemplation, and spiritual refreshment.
He met Scott Fitzgerald, an admirer whose Great Gatsby he had described as the first step forward in American fiction since Henry James. At Princeton he met Paul Elmer More, a very different type of person, a shy elderly scholar with theological leanings who came from St Louis . They did not correspond frequently, but were not averse to discussing their spiritual lives; Eliot, who thought they had much in common, told him he believed in the existence of Hell, and (an addition which suggests a strange illogical arbitrariness) in hell on earth for those who do not believe in the after-life.
A T. S. Eliot Companion: Life and Works by F. B. Pinion