A Cautionary Note on Likelihood Ratio Tests in Mixture by Seidel W., Mosler K., Alker M. PDF

By Seidel W., Mosler K., Alker M.

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By constantly scrubbing through the frames that you’re working on as you create your animations, you can get a good impression of how your work is turning out. So far, then, you have an opening keyframe (frame 1), followed by some intermediate frames (frames 2 through 13), and a new keyframe (frame 14) that will soon contain the image of your full-grown mushroom. All the frames from 2 to 13 now “belong” to the keyframe in frame 1 and reflect what is in it. If you changed the image in frame 1, the slave frames (2 through 13) would change to reflect the new picture.

Layer modes Layer modes define how you view and use specific layers in the authoring environment. There are three layer modes in Flash and, by default, they’re all turned off. You control the three modes by clicking the icons in the columns after the layer name. The status of the modes for a particular layer is indicated by the two dots and the square next to that layer’s name. 10. Click the Mushroom layer in the layer list and drag it above the moon layer. You’ll see a shaded bar appear while you’re dragging the layer.

Is defined by the sizes of the two mushrooms you’ve drawn in the two keyframes. FLASH MOVIE ESSENTIALS For the moment, remember that if something significant changes onscreen in your movie, there will probably be a keyframe involved. Keyframes are the keys to making things happen. More on frames in a moment—but first, a bit of housekeeping. Saving your movie It’s good practice to save your work often, just in case your dog eats it or your computer crashes and burns. The way to save your embryonic Flash movie is the same way you save files in most other programs.

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A Cautionary Note on Likelihood Ratio Tests in Mixture Models by Seidel W., Mosler K., Alker M.


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